Using these features, I was able to create an average of 167 ornamental glyphs (in two weights) per day. My favorite parts of FontLab are auto layers (set-it-and-forget-it for components letters), glyph masters (fine-tune the d, b, p, q, 6 and 9 between your masters without having to fix the exports!), FontAudit (quickly fix kinks in the intermediates). If you want to make more fonts faster and better and if you want to stay ahead of the competition, go with FontLab 7. I found myself toggling Quick Help obsessively, constantly finding new ways to optimize my workflow - and pretty fast!ĭrawing is a joy: FontLab has the best drawing tools I’ve ever seen, and they just got better! FontAudit keeps you in check, with new information and smarter corrections the new views for masks and layers are a super-handy for designing multiple masters and the nudging workflow is spot-on.Įxpressions and tags became my bread and butter: generate tags to keep you organized in one click, edit them to automate your kerning classes and OT features, copy your expressions to all of your masters with one click!ĭid I mention that FontLab 7 is a serious variable font production tool, with conditional glyph substitutions, table editing and all? To be honest, I wish I recorded my face when I saw the new axis graph!Īnd hey, it’s running flawlessly on my Linux machine too! If you’re coming from FontLab VI, 7 looks pretty familiar - but don’t let that fool you. This baby is a rock-solid font development software, from design to engineering. Glyph names, OT features, text, layers, color, files, UI, Python, variaĭetecting Element References or Composites Variation, imported artwork, components, auto layers, elements Metrics, kerning, Font window, Font Info, hints, guides, classes General, editing, anchors, actions, FontAudit, copy-paste
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